Whenever I see a project leading with "IP & culture" as their main selling point, I know it's time to move on. That playbook doesn't work anymore.
"But collectors love this narrative..."
Let's be real here. Those collectors? They're tapped out. They've accumulated so many assets that their wallets have basically gone dormant.
The collection phase is over for most of them. And when they do decide to mint again—if they ever do—they're not going after the same tired formulas.
This page may contain third-party content, which is provided for information purposes only (not representations/warranties) and should not be considered as an endorsement of its views by Gate, nor as financial or professional advice. See Disclaimer for details.
10 Likes
Reward
10
3
Repost
Share
Comment
0/400
MintMaster
· 15h ago
IP cultural narratives really are everywhere now, I'm already sick of seeing them.
View OriginalReply0
GasFeeTherapist
· 15h ago
The whole IP thing should have died a long time ago, seriously. I’ve seen too many projects use that story to scam newcomers, and what’s the result? Collectors either run out of money or simply don’t want to buy this kind of stuff anymore.
View OriginalReply0
MissingSats
· 15h ago
To be honest, the whole IP narrative thing really needs to retire; I'm tired of seeing it.
Whenever I see a project leading with "IP & culture" as their main selling point, I know it's time to move on. That playbook doesn't work anymore.
"But collectors love this narrative..."
Let's be real here. Those collectors? They're tapped out. They've accumulated so many assets that their wallets have basically gone dormant.
The collection phase is over for most of them. And when they do decide to mint again—if they ever do—they're not going after the same tired formulas.